Wednesday, February 6, 2008

Gravitational Field From A Cube

The nest: when love is ageless

's nest. Spain, 1980

Director and Screenwriter: Jaime de Armiñán

Cast: Héctor Alterio, Ana Torrent

Subjects of interest: pedophilia, gerontophilia

Synopsis: In

a Castilian town, Alexander, a widower mature Goyita know, a girl of 13 years. The is nice and the two begin a friendship that becomes more intimate and more ambiguous for the common people, it begins to spread harmful rumors.

Comment:

Like My dear Miss with transsexuality, Jaime de Armiñán again approaches in The nest with great sensitivity and respect for the characters to not one but two very rugged, pedophilia, sexual drive, or in this case rather emotional, to preteens, and the lesser known gerontophilia, attraction to the elderly. What could have resulted in a sordid story becomes impossible bittersweet love story between a man too old and a girl too young.


Today, given the taboo that involving brutal sex between adults and minors, is likely to approach the issue would not have been acceptable, and perhaps that is one of the reasons that the film is not as it should be valued and remembered. From a somewhat sickly light that dominates today, could be accused The nest pedophile fantasy sympathy for dealing with a character like Alexander, who was not portrayed as a dirty old man but rather the girl, Goya, which is behind him, looking for friendship and begins to introduce dyes ambiguous in their relationship. The girls the "cause" with their behavior and who are mentally more mature than would be assume their age is often one of the excuses for pedophiles to justify their actions when. But no one should see ulterior motives in exposing a reality of life, namely that pre-adolescent girls flirt their way with adults. Alexander, being vulnerable, probably because of their lack of affection from his wife's death, is serious about these flirtations and carried away by the play of the child with bitter consequences.

Goya, who takes refuge in his friendship with Alex to escape a family and an environment which sees its wings clipped, is a somewhat enigmatic character: his gerontophilia not seem to come from a desire to protect by someone but older quite the contrary, he is attracted to her lover Platonic underdog show, perhaps because he can manipulate at will. The script has one of its main advantages sometimes show a great involvement with the girl and others portray her as a femme fatale that leads to destruction of an old man. Top Scenes

:
  • Goya takes a knife and performed a blood oath: the initial tattoo of Alexander in his hand, he also hers tattoos.

Anecdotes:



  • Finalist for the Oscar for best foreign language film in 1980. The award went to Moscow Does Not Believe in Tears , a Soviet film. Apparently, the very Armiñán has recognized that, disappointed in defeat, put the trip to the charge of collecting the award on his way to the statue.


About the director:

Armiñán Jaime was born in or na wealthy Madrid family in 1927. Studied law, but soon directed his steps to the audiovisual world, first as a commentator, and later worked as a writer on television. His career as director film begins with Carola day, night Carola (1969), a starring vehicle for Marisol, and becomes a more personal with My dear lady, whose success allows you to do other works on unorthodox love , among which The nest (1980), which allowed him to be again nominated for an Oscar. Alternate film and television until 1995, where premieres that until recently was his last film, lame The pigeon as he awaits his new book release, Fabian Road

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